Peter Frampton
Frampton Comes Alive

A & M    PR 3703  (1978)

Rock/Pop
LP, 6   Tracks, 40:22  Length
01 Show Me The Way Peter Frampton 04:35
02 Baby, I Love Your Way Peter Frampton 04:37
03 Shine On Peter Frampton 03:29
04 Jumping Jack Flash Peter Frampton 07:21
05 Do You Feel Like We Do Peter Frampton; Mick Gallagher; John Siomos; Rick Wills 13:47
06 (I'll Give You) Money Peter Frampton 06:33
Music Details
Product Details
Packaging Picture Disc Sleeve
Live Yes
Sound Stereo
Extras Picture Disc
Musicians  &  Credits
Guitar Peter Frampton
Guitar Bob Mayo
Bass Stanley Sheldon
Drums John Siomos
Producer Peter Frampton
Engineer Eddie Kramer; Ray Thompson
Personal Details
Index # 1190
Owner Dave
Tags Rock & Roll, Pop Rock
User Defined
Purchased New
Packaging Notes Limited edition
Notes
At the time of its release, Frampton Comes Alive! was an anomaly, a multi-million-selling (mid-priced) double LP by an artist who had previously never burned up the charts with his long-players in any spectacular way. The biggest-selling live album of all time, it made Peter Frampton a household word and generated a monster hit single in "Show Me the Way." And the reason why is easy to hear: the Herd/Humble Pie graduate packed one hell of a punch on-stage -- where he was obviously the most comfortable -- and, in fact, the live versions of "Show Me the Way," "Do You Feel Like I Do," "Something's Happening," "Shine On," and other album rock staples are much more inspired, confident, and hard-hitting than the studio versions. [The 1999 reissue in A&M's "Remastered Classics" (31454-0930-2) series is a considerable improvement over the original double CD or double LP in terms of sound -- the highs are significantly more lustrous, the guitars crunch and soar, and the bottom end really thunders, and so you get a genuine sense of the power of Frampton's live set, at least the heavier parts of his set, rather than the compressed and flat sonic profile of the old double-disc version. Frampton and the band sound significantly closer as well, even on the softer songs such as "Wind of Change," and the disc is impressive listening even a quarter century later. Of course, one must take this all with a grain of salt as a concert document -- as was later revealed, there was considerable studio doctoring of the raw live tapes, a phenomenon that set the stage for such unofficial hybrid works as Bruce Springsteen's Live/1975-85 and countless others.]