Soundtrack
Jesus Christ Superstar
MCA
MCAD2-11000
(1973)
Soundtrack
|
CD, 2
Discs, 26
Tracks, 96:39
Length
|
|
| Disc 1
| 49:33 |
|
| 01 |
Overture |
|
|
|
05:31 |
|
| 02 |
Heaven On Their Minds |
|
|
|
04:21 |
|
| 03 |
What's The Buzz |
|
|
|
02:35 |
|
| 04 |
Strange Thing Mystifying |
|
|
|
01:51 |
|
| 05 |
Then We Are Decided |
|
|
|
02:33 |
|
| 06 |
Everything's Alright |
|
|
|
03:35 |
|
| 07 |
This Jesus Must Die |
|
|
|
03:46 |
|
| 08 |
Hosanna |
|
|
|
02:54 |
|
| 09 |
Simon Zealotes |
|
|
|
04:51 |
|
| 10 |
Poor Jerusalem |
|
|
|
01:37 |
|
| 11 |
Pilate's Dream |
|
|
|
01:48 |
|
| 12 |
The Temple |
|
|
|
05:36 |
|
| 13 |
I Don't Know How To Love Him |
|
|
|
03:58 |
|
| 14 |
Damned For All Time/Blood Money |
|
|
|
04:37 |
|
Disc 2
|
47:06 |
|
| 01 |
The Last Supper |
|
|
|
07:14 |
|
| 02 |
Gethsemane (I Only Want To Say) |
|
|
|
05:41 |
|
| 03 |
The Arrest |
|
|
|
03:15 |
|
| 04 |
Peter's Denial |
|
|
|
01:28 |
|
| 05 |
Pilate and Christ |
|
|
|
02:58 |
|
| 06 |
King Herod's Song |
|
|
|
03:15 |
|
| 07 |
Could We Start Again Please? |
|
|
|
02:46 |
|
| 08 |
Judas' Death |
|
|
|
04:40 |
|
| 09 |
Trial Before Pilate |
|
|
|
06:49 |
|
| 10 |
Superstar |
|
|
|
03:58 |
|
| 11 |
The Crucifixion |
|
|
|
02:43 |
|
| 12 |
John Nineteen: Forty-One |
|
|
|
02:19 |
|
|
|
| Packaging |
Jewel Case |
| Spars |
DDD |
| Sound |
Stereo |
|
| Vocals |
Kurt Yaghjian |
| Vocals |
Bob Bingham |
| Vocals |
Ted Neeley |
| Vocals |
Carl Anderson |
| Vocals |
Joshua Mostel |
| Vocals |
Yvonne Elliman |
| Vocals |
Barry Dennen |
| Vocals |
Larry T. Marshall |
| Producer |
Robert Stigwood |
|
| Index |
#
3152 |
| Owner |
Dave |
| Tags |
Prog Rock, Hard Rock, Rock Opera |
|
|
|
Originally conceived as a double-album project by composer Andrew Lloyd Webber back in the days of vinyl albums, the original version was a huge success, leading to stage shows and eventually this, the original motion picture soundtrack version of Webber's original score. The score is conducted here by André Previn with cast vocal support by Ted Neeley, Yvonne Elliman, and Carl Anderson. Fans of Webber's over-the-top glitz will not be disappointed in this version, as the soundtrack was the perfect opportunity to milk the score for all it was visually and musically worth. -- Cub Koda (allmusic.com)
