Pink Floyd
Ummagumma

Harvest    SHDW 1 / 2  (1969)
Recording Date   May 1969

Rock/Pop
LP, 2   Discs, 16   Tracks, 114:37  Length
Live Album Recorded at Mothers 39:24
01 Astronomy Domine Syd Barrett 08:25
02 Careful With That Axe, Eugene David Gilmour; Nick Mason; Roger Waters; Richard Wright 08:47
03 Set The Controls For The Heart Of The Sun Roger Waters 09:21
04 A Saucerful Of Secrets David Gilmour; Nick Mason; Roger Waters; Richard Wright 12:51
A. Something Else
B. Syncopated Pandemonium
C. Storm Signal
D. Celestial Voices

Studio Album

75:13
Sysyphus Richard Wright 25:19
01 Part I 12:59
02 Part II 03:30
03 Part III 01:50
04 Part IV 07:00
05 Grantchester Meadows Roger Waters 07:23
06 Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict Roger Waters 04:47
The Narrow Way David Gilmour 21:04
07 Part 1 12:14
08 Part 2 02:53
09 Part 3 05:57
The Grand Vizier's Garden Party Nick Mason 16:40
10 Part I - Entrance 08:55
11 Part II - Entertainment 07:06
12 Part III - Exit 00:39
Music Details
Product Details
Packaging Gatefold
Sound Stereo
Musicians  &  Credits
Bass Roger Waters
Guitar David Gilmour
Drums Nick Mason
Keyboards Richard Wright
Musician Pink Floyd
Producer Norman Smith; Pink Floyd
Engineer Brian Humphries; Peter Mew
Personal Details
Index # 2488
Owner Dave
Tags Psychedelic Rock, Experimental
User Defined
Purchased New
Notes
UMMAGUMMA features a set of live performances on Disc 1 and a collection of solo studio projects by various band members on Disc 2.

Disc 1 was recorded live at Mothers, Birmingham, England and live at The Manchester College Of Commerce, England in June 1969.

Party-liners may favor DARK SIDE OF THE MOON, but diehard psychedelic warriors recognize UMMAGUMMA as the pinnacle of post-Barrett Floyd's achievement. Originally released as a double LP, the first record is a live recording from 1969, while the second features four extended cuts written by (and featuring) each of the four bandmembers in turn. Eschewing the catchy, Kinks-influenced pop kaleidoscope of the band's first album, the live portion focuses on extended, spacy near-instrumentals, heavy on psychedelic jamming and atmospheric electronic textures.

From the Eastern-tinged "Set the Controls for the Heart of the Sun" to the over-the-top psychosis of "Careful With That Axe, Eugene," UMMAGUMMA's first half is ground zero for the genre that would come to be known as space rock. The solo efforts on the second half are undoubtedly the band's most experimental, unconventional efforts ever recorded. They make good use of the avant-garde techniques that were a key early influence, like musique concrete-style tape collage and sound effects. Along the way, there's some lovely folk-tinged balladry, courtesy of Roger Waters ("Grantchester Meadows") and some proto-prog keyboard wizardry (Richard Wright's multi-part "Sysyphus" (sic).

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For many years, this double-LP was one of the most popular albums in Pink Floyd's pre-Dark Side of the Moon output, containing a live LP and a studio LP for the price of one. The live set, recorded in Birmingham and Manchester in June 1969, is limited to four numbers, all drawn from the group's first two LPs or their then-recent singles. Featuring the band's second lineup (i.e., no Syd Barrett), the set shows off a very potent group, their sound held together on-stage by Nick Mason's assertive drumming and Roger Waters' powerful bass work, which keep the proceedings moving no matter how spaced out the music gets. They also sound like they've got the amplifiers to make their music count, which is more than the early band had. "Astronomy Domine," "Careful with That Axe Eugene," "Set the Controls for the Heart of the Sun," and "A Saucerful of Secrets" are all superior here to their studio originals, done longer, louder, and harder, with a real edge to the playing. The studio LP was more experimental, each member getting a certain amount of space on the record to make his own music -- Richard Wright's "Sysyphus" was a pure keyboard work, featuring various synthesizers, organs, and pianos; David Gilmour's "The Narrow Way" was a three-part instrumental for acoustic and electric guitars and electronic keyboards, and Nick Mason's "The Grand Vizier's Garden Party" made use of a vast range of acoustic and electric percussion devices. Roger Waters' "Grantchester Meadows" was a lyrical folk-like number unlike almost anything else the group ever did.