Abstract Logix
ABLX 024
(2010)
Jazz
CD, 24
Tracks, 50:39
Length
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01 |
On Your Marks... |
Alex Machacek |
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03:25 |
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Recording Date
2010
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02 |
Sit Back and Chillax |
Alex Machacek |
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01:51 |
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Recording Date
2010
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03 |
Tour de France |
Alex Machacek |
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02:16 |
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Recording Date
2010
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04 |
Dancing with the Baby Bear |
Alex Machacek |
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01:27 |
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Recording Date
2010
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05 |
Anamika |
Alex Machacek |
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04:04 |
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Recording Date
2010
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06 |
Pros and Cons of Depression |
Alex Machacek |
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01:07 |
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Recording Date
2010
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07 |
Little Man |
Alex Machacek |
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00:30 |
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Recording Date
2010
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08 |
Tranquillo |
Alex Machacek |
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01:26 |
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Recording Date
2010
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09 |
Tranquilizer |
Alex Machacek |
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00:59 |
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Recording Date
2010
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10 |
Sweet Torture |
Alex Machacek |
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04:37 |
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Recording Date
2010
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11 |
She Likes It |
Alex Machacek |
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00:27 |
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Recording Date
2010
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12 |
See You There |
Alex Machacek |
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00:55 |
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Recording Date
2010
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13 |
X-mas |
Alex Machacek |
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00:27 |
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Recording Date
2010
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14 |
Feel Me |
Alex Machacek |
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02:27 |
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Recording Date
2010
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15 |
At the Club |
Alex Machacek |
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03:51 |
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Recording Date
2010
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16 |
Eau de Conion |
Alex Machacek |
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02:03 |
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Recording Date
2010
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17 |
Doldrums |
Alex Machacek |
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01:03 |
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Recording Date
2010
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18 |
Minnemaus in Da House |
Alex Machacek |
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01:36 |
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Recording Date
2010
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19 |
Run, Fusion |
Alex Machacek |
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02:42 |
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Recording Date
2010
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20 |
Air |
Alex Machacek |
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01:17 |
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Recording Date
2010
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21 |
Sexy |
Alex Machacek |
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02:27 |
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Recording Date
2010
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22 |
Blender |
Alex Machacek |
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02:14 |
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Recording Date
2010
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23 |
Quotes |
Alex Machacek |
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02:55 |
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Recording Date
2010
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24 |
Over and Out |
Alex Machacek |
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04:33 |
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Recording Date
2010
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Packaging |
Digipac |
Spars |
DDD |
Sound |
Stereo |
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Guitar |
Alex Machacek |
Drums |
Marco Minnemann |
Producer |
Souvik Dutta |
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Unusual in concept and execution, this joint project between multi-instrumentalist Alex Machacek and drummer Marco Minnemann crosses over many boundaries of jazz fusion as well as production techniques. Minnemann recorded a single continuous drum track over which Machacek then dubbed guitar, keyboards, and other instruments. The result is a continuous music made up of many snippets of thought and sound projection, some song styles, improvisation, and solos on occasion. While the music is complex, minimalist, or even kinetic, it is far from tame or commonplace. Primarily an electric guitarist, Machacek is capable of some amazing sounds whether he approaches rock or jazz fusion, even minimalism or looped-type techniques. His musical portrait of the "Tour de France" encompasses the gamut of emotions a cyclist can experience during the three-week race, while "At the Club" is both comical and busy, with help from trombonist Martin Ptak. There are maddeningly kinetic moments, down-in-the-dumps blues, mysterious elements, and Machacek's acoustic piano on occasion. Minnemann's drumming can be sparse or full of girth, but more up and down as energy surges and disperses. While some might find this lacking in cohesion and true communality, there's a good spirit present, listenable and tuneful in spots, and inspired for many others. -- Michael G. Nastos (allmusic.com)