Alpha Rev
New Morning

Hollywood Records    D000275792  (2010)

Rock/Pop
CD, 11   Tracks, 43:32  Length
01 New Morning Casey McPherson 03:46
02 Phoenix Burn Casey McPherson; Dwight Baker 03:35
03 White Fences Casey McPherson; Dwight Baker 02:57
04 When Did I Wake Up Casey McPherson; Dwight Baker 03:50
05 Face Down Casey McPherson; Derek Dunivan; Alex Dunlap; McKenzie Smith 03:30
06 Get Out Casey McPherson; Dwight Baker; Alex Dunlap; David Kahne 03:45
07 Alone with You Casey McPherson 03:12
08 Colder Months Casey McPherson 04:57
09 Heaven Casey McPherson; Alex Dunlap 03:44
10 Perfect Love Casey McPherson; Dwight Baker 03:49
11 Goodbye from the Start Casey McPherson 06:27
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Vocals Casey McPherson
Keyboards Jeff Bryant
Guitar Zak Loy
Drums Clint Simmons
Bass Alex Dunlap
Violin Brian Batch
Musician Alpha Rev
Producer David Kahne
Engineer Robert Carranza
Personal Details
Index # 77
Owner Dave
Tags Alternative Rock
Links Music Collector Core
User Defined
Purchased Cut-out/Promo
Notes
There must be something about Austin, TX that gives bands a musical tendency toward sweeping, plaintive rock. On their major-label debut for Hollywood Records, Alpha Rev show off their twist on the lonely Austin sound on New Morning. While the album is firmly rooted in alternative rock, there are flourishes here and there reminiscent of fellow Texans Explosions in the Sky and Trail of Dead, giving the band a sound that’s emotive without being overly melodramatic. There always seems to be something happening off in the background of the songs that separates them from the rest of the alt-rock pack, giving the songs more sonic depth than originally anticipated. Distant guitars and soft synths add spaciousness to “White Fences” as the song builds to the chorus. The music never really forces itself to the front of the action on New Morning, acting more like the score to singer Casey McPherson’s lyrics, with the band relying more on textural songwriting than big guitar riffs and overdramatic bombast. This gives the songs almost a soundtrack feel to what would be the singer’s dialogue, with the music delivering emotion with understated shifts before hitting that big crescendo rather than beating you over the head with solos. That’s not to say that the music is forgettable by any stretch, and even if it’s just a vehicle for McPherson to deliver his songs, it’s a great vehicle for any singer/songwriter to be riding on. -- Gregory Heaney (allmusic.com)