Bozzio, Levin, Stevens
Situation Dangerous

Magna Carta    MA-9049-2  (2000)

Rock/Pop
CD, 8   Tracks, 48:13  Length
01 Dangerous Terry Bozzio; Tony Levin; Steve Stevens 06:40
02 Endless Terry Bozzio; Tony Levin; Steve Stevens 10:10
03 Crash Terry Bozzio; Tony Levin; Steve Stevens 05:08
04 Spiral Terry Bozzio; Tony Levin; Steve Stevens 04:37
05 Melt Terry Bozzio; Tony Levin; Steve Stevens 03:48
06 Tragic Terry Bozzio; Tony Levin; Steve Stevens 06:59
07 Tziganne Terry Bozzio; Tony Levin; Steve Stevens 04:27
08 Lost Terry Bozzio; Tony Levin; Steve Stevens 06:24
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Drums Terry Bozzio
Bass Tony Levin
Guitar Steve Stevens
Producer Terry Bozzio; Tony Levin; Steve Stevens; Ronan Chris Murphy
Engineer Ronan Chris Murphy
Personal Details
Index # 364
Owner Dave
Tags Prog Rock
User Defined
Purchased New
Notes
Situation Dangerous is the follow-up to 1997's Black Light Syndrome from this powerful trio of seasoned rock musicians. The incendiary title track leads off the album with guitarist Steve Stevens demonstrating that he's capable of much more than testosterone-laden Billy Idol riffs of which he was most commonly associated prior to the formation of this band. Here he conjures up comparisons to manic sound frequently delivered by Robert Fripp particularly on King Crimson albums like Red and their reformed, early-'80s period. But in subsequent tracks, Stevens plays jazz, fusion, classic rock, blues-rock, and flamenco passages with accomplished ease. "Crash" sounds like an outtake from or a salute to the lone classic recording by an earlier supergroup, Armageddon. In other instances he combines the fusion and flamenco leanings of guitarists like Al DiMeola and John McLaughlin. This is an instrumental album, so it is imperative that the tracks display a diversity of tempo and style to distinguish themselves from one another. Historically, instrumental rock trios haven't been overly successful in that regard. These three, however, pull it off admirably. Tony Levin has been one of the most creative and "in-demand" bassists for the past 25 years and his entire repertoire of influences and skills seems to be encapsulated on this recording. He also tackles the variety of compositions in his inimitable smooth yet complex manner. Drummer Terry Bozzio offers his most explosive and perhaps his most defining work since Danger Money from 1979, but it's Stevens' versatility that dictates the course of this album and its ultimate success. -- Dave Sleger (allmusic.com)