Box Set: The ProjeKcts
Release Date 10/26/1999
The ProjeKcts were/are devised as 'research units' to find possible futures for the fuller Crimson line-up. This box comprises the four live discs and kicks off with Jazz Café (KC have an amazing ability to play the most unlikely places). Head banging improv of the first track (all of which have numerate titles eg. 4 i ii) sees Fripp in inspired frenzy mode. The fifth though recalls a tranquility similar to the better tuneful soundscapes and the First Day period with David Sylvian. ProjeKct 2's mania has Adrian Belew trying out drums whilst Fripp and Gunn handle fretwork. The final here is a warts and all account of the battle between band and photographer (Fripp hates being photographed on stage - unless invited). Band wins thus making a 3-4 minute piece eleven! West Coast is also invigorating; if you liked Fripp and Mastelotto's Sabre Dance from DGM's overview Sometimes God Hides, chances are you'll love this as it expands upon the zonked out dance and trippy Frippy grooves and scapes respectively. Aided by Gunn and Tony Levin, this is almost the line-up that now makes up the actual KC. -- Kelvin Hayes (allmusic.com)

King Crimson
ProjeKct Two - Live Groove

Discipline    DGM9913-B  (1998)
Recording Date   1998

Rock/Pop
CD, 10   Tracks, 64:49  Length
01 Sus-tayn-Z Adrian Belew; Robert Fripp; Trey Gunn 08:05
02 Heavy ConstruKction Adrian Belew; Robert Fripp; Trey Gunn 05:11
03 The Deception of the Thrush Adrian Belew; Robert Fripp; Trey Gunn 07:33
04 X-chayn-jiZ Adrian Belew; Robert Fripp; Trey Gunn 06:01
05 Light ConstruKction Adrian Belew; Robert Fripp; Trey Gunn 05:17
06 Vector Shift To Planet Detroit Adrian Belew; Robert Fripp; Trey Gunn 03:41
07 Contrary ConstruKction Adrian Belew; Robert Fripp; Trey Gunn 04:55
08 Live Groove Adrian Belew; Robert Fripp; Trey Gunn 10:50
09 Vector Shift To Planet Belewbeloid Adrian Belew; Robert Fripp; Trey Gunn 01:24
10 21st Century Schizoid Man Greg Lake; Ian McDonald; Michael Giles; Peter Sinfield; Robert Fripp 11:52
Music Details
Product Details
Packaging Box Set
Live Yes
Spars DDD
Sound Stereo
Musicians  &  Credits
Guitar Adrian Belew
Drums Robert Fripp
Bass Trey Gunn
Musician Projekct Two
Personal Details
Index # 1802
Owner Dave
Tags Abstract, Prog Rock, Experimental
User Defined
Purchased New
Notes
This title -- which is also available as part of the four-disc ProjeKcts (1999) box set -- features the second fraKCtal of the mid-'90s six-person incarnation of King Crimson captured during its six-month lifespan. The larger group included Adrian Belew (guitar, drums), Bill Bruford (percussion, drums), Robert Fripp (guitar), Trey Gunn (Warr guitar), Tony Levin (bass), and Pat Mastelotto (percussion, drums), while ProjeKct Two centered on the trio of Belew on the digital V-drums, Fripp as always on guitar, and Gunn credited as playing "touch guitar." With the notable exception of the hip-hop-inspired solo extracted from "21st Century Schizoid Man" -- sporting sampled finger-snaps and DJ-esque "scratching" effects no less -- the remaining nine entries are completely improvised instrumentals. The wide range of performance styles and sonic visages might take listeners by surprise, although King Crimson enthusiasts are by and large an adventurous lot. "Sus-tayn-Z" turns into a sprightly tempoed and melodic affair, with Fripp's glorious droning wafting between the unrelenting pulsations of Gunn and Belew. The latter proves himself to be quite a remarkable percussionist on "Heavy ConstruKction," a good example of how some of the grooves developed during these outings would have a profound influence on the next generation of the larger Krim. Another such piece follows with the languid and dank "Deception of the Thrush," as it lumbers shrouded in mystery and perpetual uncertainty. There are shades of the 2003 King Crimson's track "Happy With What You Have to Be Happy With" in the energetic hurdy-gurdy of "X-chayn-jiZ," while elements of "Light ConstruKction" would resurface on "The ConstruKction of Light." Listeners should keep their CD spinning after the "21st Century Schizoid Man" excerpt, as there are nearly ten minutes of ambient audience noise preceding an announcement that in part states once a flash photographer -- spotted in the crowd by a bandmember -- surrenders his camera and film, the concert would continue. He obviously did, as the show went on a few moments later. -- Lindsay Planer (allmusic.com)