Al DiMeola; Jean-Luc Ponty; Stanley Clarke
The Rite of Strings

Gai Saber    7243 8 34167 2 1  (1995)

Jazz
CD, 9   Tracks, 55:46  Length
01 Indigo Al DiMeola 07:12
02 Renassaince Jean-Luc Ponty 04:36
03 Song to John (Dedicated to John Coltrane) Stanley Clarke; Chick Corea 06:03
04 Chilean Pipe Song Al DiMeola 06:14
05 Topanga Stanley Clarke 05:56
06 Morocco Al DiMeola 05:44
07 Change of Life Jean-Luc Ponty 05:29
08 La Cancion de Sofia Stanley Clarke 08:33
09 Memory Canyon Jean-Luc Ponty 05:59
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Guitar Al DiMeola
Violin Jean-Luc Ponty
Bass Stanley Clarke
Producer Al DiMeola; Jean-Luc Ponty; Stanley Clarke
Engineer Dennis Mackay
Cover by Luis Siquot
Personal Details
Index # 920
Owner Dave
Tags Acoustic, Contemporary Jazz, Fusion
User Defined
Purchased New
Notes
Any time the likes of Stanley Clarke, Al DiMeola and Jean-Luc Ponty are assembled, there is a good chance the results are going to be impressive. Clarke and DiMeola had played together in the legendary Return to Forever, producing some of the most intense playing in all of fusion; Jean-Luc Ponty had also made several excellent, very diverse recordings. The chops of these three musicians are pretty much unsurpassed in the industry, which in itself makes Rite of Strings worthy of a listen. The real treat, however, is in the song selections. Three of DiMeola's more recent compositions are here, including the uplifting "Chilean Pipe Song." On this song, Clarke and Ponty's dual-bow sound provides a nice backdrop to DiMeola's introduction before DiMeola and Ponty state the melody together. Ponty has always been one of the more interesting violinists, mostly because he experiments with the instrument's tonal possibilities. His plucking introduction to "Renassaince" and the strumming on "Change of Life" are evidence of this. Clarke's finest moment comes on his own beautiful "Topanga," on which his bow playing is enough to evoke tears. This is a classic recording that should not be missed; the integrity, musicianship, compositions, and improvisations are all first-rate. -- Robert Taylor (allmusic.com)