Mike Watt
Ball-Hog or Tugboat?

Columbia    CK 67089  (1995)

Rock/Pop
CD, 17   Tracks, 67:58  Length
01 Big Train Tony Kinman 03:21
02 Against The 70's Mike Watt 03:28
03 Drove Up From Pedro Mike Watt 04:32
04 Piss-Bottle Man Mike Watt 03:16
05 Chinese Firedrill Joe Carducci; Mike Watt 03:25
06 Intense Song For Madonna To Sing Mike Watt 03:05
07 Tuff Gnarl Kim Gordon; Thurston Moore; Lee Ranaldo; Steve Shelley 03:10
08 Sexual Military Dynamics Mike Watt 02:39
09 Max And Wells Mike Watt 03:10
10 E-Ticket Ride Mike Watt 04:27
11 Forever - One Reporter's Opinion Mike Watt 03:40
12 Song For Igor Mike Watt 02:46
13 Tell 'em, Boy Mike Watt 03:29
14 Sidemouse Advice Mike Watt 03:31
15 Heartbeat Mike Watt 05:34
16 Maggot Brain George Clinton; Eddie Hazel 12:05
17 Coincidence Is either Hit Or Miss Mike Watt 02:20
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Bass Mike Watt
Drums Dave Grohl
Guitar Nels Cline
Guitar Joe Baiza
Drums Michael Preussner
Producer Mike Watt
Cover by Raymond Pettibon
Personal Details
Index # 3759
Owner Dave
Tags Alternative Rock
User Defined
Purchased Cut-out/Promo
Notes
For his first solo album, Mike Watt assembled a different band for each track, creating a veritable who's-who of post-punk and alternative rock -- Eddie Vedder, Dave Grohl, Thurston Moore, J. Mascis, Frank Black, Evan Dando, Dave Pirner, Henry Rollins, Flea, Lee Ranaldo, Mike D, and Pat Smear all appear, among others. Predictably, the sound is somewhat schizophrenic, but no more so than the average Minutemen album. Ball-Hog or Tugboat? is more polished than anything the Minutemen released, yet looser than fIREHOSE, filled with jazz-inflected breaks and sheer sonic freakouts, but dominated by a surprisingly large number of pop songs. On the power-pop rush of "Piss-Bottle Man," Dando sings with more emotion than on most Lemonheads records, and "Chinese Fire Drill" shows an effective folky side to Watt's music. And Watt's own vocals on "Big Train" are as big-hearted, sly and funny as the album itself. -- Stephen Thomas Erlewine (allmusic.com)