It's nice to see a new release from Wobble, the first actual new set since the wonderful Rising Above Bedlam. This album continues the mix of world music elements, adding rather more trance dance and techno than the previous album. Still, it's a shifting collage of sound that pulls you from Algeria one moment to Jamaica the next and then manages to mix India with Ireland. There seems to be a little more balance this time, too, with far less drastic shifts. Congenial fun, good to dance to, and a terrific album to have playing all the time. -- Steven McDonald (allmusic.com)

After he'd been a fixture of the British new wave/punk/underground/alternative scene since the late '70s, 1994's Take Me to God marked Jah Wobble's first major commercial success as a solo artist, reaching number 13 in the U.K. The use of numerous guest musicians (including Can drummer Jaki Leibezeit) gives this a feel of a rotating collective, with Wobble (who plays several instruments here in addition to the one he's most known for, bass) the constant. Quite a few singers contribute, giving this more of a song-oriented feel than some of his other work, some of the more celebrated including Gavin Friday, Dolores O'Riordan of the Cranberries, Senegalese vocalist Baaba Maal, and top world music artist Najma Akhtar. The 66-minute length of these sprawling excursions almost inevitably means the program will drag at times, according to your musical inclinations. Lyrically, too, it's so varied as to make it difficult to connect with a pronounced attitude or viewpoint, the concerns ranging from the almost indecipherably frivolous ("Yoga of the Nightclub") to the numerous references to God that pepper the song titles. But it's an interesting assortment of tracks combining currents flowing through mid-'90s alternative rock, world music, reggae, club beats, dub, and African pop, adding up to an extremely heterogeneous whole. -- Richie Unterberger (allmusic.com)