Pink Floyd
The Division Bell

Columbia    CK 64200  (1994)

Rock/Pop
CD, 11   Tracks, 66:27  Length
01 Cluster One David Gilmour; Richard Wright 05:58
02 What Do You Want From Me David Gilmour; Richard Wright; Polly Samson 04:21
03 Poles Apart David Gilmour; Polly Samson; Nick Laird-Clowes 07:04
04 Marooned David Gilmour; Richard Wright 05:28
05 A Great Day For Freedom David Gilmour; Richard Wright; Polly Samson 04:18
06 Wearing The Inside Out Richard Wright; Polly Samson 06:49
07 Take It Back David Gilmour; Richard Wright; Polly Samson; Nick Laird-Clowes; Bob Ezrin 06:12
08 Coming Back To Life David Gilmour 06:19
09 Keep Talking David Gilmour; Richard Wright; Polly Samson 06:11
10 Lost For Words David Gilmour; Polly Samson 05:15
11 High Hopes David Gilmour; Polly Samson 08:32
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Guitar David Gilmour
Drums Nick Mason
Keyboards Richard Wright
Musician Pink Floyd
Producer Bob Ezrin; David Gilmour
Engineer Andy Jackson
Personal Details
Index # 2532
Owner Dave
Tags Prog Rock, Arena Rock
User Defined
Purchased New
Notes
The second post-Roger Waters Pink Floyd album is less forced and more of a group effort than A Momentary Lapse of Reason -- keyboard player Richard Wright is back to full bandmember status and has co-writing credits on five of the 11 songs, even getting lead vocals on "Wearing the Inside Out." Some of David Gilmour's lyrics (co-written by Polly Samson and Nick Laird-Clowes of the Dream Academy) might be directed at Waters, notably "Lost for Words" and "A Great Day for Freedom," with its references to "the wall" coming down, although the more specific subject is the Berlin Wall and the fall of Communism. In any case, there is a vindictive, accusatory tone to songs such as "What Do You Want From Me" and "Poles Apart," and the overarching theme, from the album title to the graphics to the "I-you" pronouns in most of the lyrics, has to do with dichotomies and distinctions, with "I" always having the upper hand. Musically, Gilmour, Nick Mason, and Wright have largely turned the clock back to the pre-Dark Side of the Moon Floyd, with slow tempos, sustained keyboard chords, and guitar solos with a lot of echo. -- William Ruhlmann (allmusic.com)