Various Artists
Genrecide: A Compilation Vol 1
Columbia
CK 53450
(1993)
Rock/Pop
CD, 17
Tracks, 60:20
Length
|
|
|
01 |
Blood and Thunder (Remix Edit) |
Kurt Ralske |
Ultra Vivid Scene |
|
04:37 |
02 |
Metal Mickey |
Brett Anderson; Bernard Butler |
Suede |
|
03:16 |
03 |
Black Gold (live) |
Dave Pirner |
Soul Asylum |
|
03:55 |
04 |
Big Bad Baby Pig Squeal |
Andrew "Fuzz" Duprey; Lesley Rankine |
Silverfish |
|
02:46 |
05 |
Prostrate |
Ned's Atomic Dustbin |
Ned's Atomic Dustbin |
|
03:47 |
06 |
Coney Island Cyclone |
Jonathan Donahue |
Mercury Rev |
|
02:35 |
07 |
Mint Juleps and Needles |
Brenda Kahn |
Brenda Kahn |
|
03:27 |
08 |
Upsetters Theme Song (Demo) |
Don Fleming |
Gumball |
|
03:34 |
09 |
Hip-Hopola |
James D'Angelo; Maxx Stoyanoff Williams |
The Goats |
|
04:44 |
10 |
Freddie's Dead (live) |
Curtis Mayfield |
Fishbone |
|
04:41 |
11 |
Blaze (Instrumental) |
Ed Crawford |
fIREHOSE |
|
03:37 |
12 |
Bounty Killer (remix) |
J. Saul Kane |
Depth Charge |
|
03:55 |
13 |
Long Day in the Universe (remix) |
Al Lewis |
The Darling Buds |
|
04:09 |
14 |
Gunslinging Bird or If Charlie Parker Were a Gunslinger There'd be a Whole Lot Of Dead Copycats |
Charles Mingus |
Chuck D |
|
01:41 |
15 |
Buffalo Bill |
Martin Carr |
The Boo Radleys |
|
02:15 |
16 |
Get Out of Control (prostrated mix) |
Daniel Ash |
Daniel Ash,
guitar
|
|
04:07 |
17 |
Right Turn |
Jerry Cantrell |
Alice in Chains |
|
03:14 |
|
Packaging |
Jewel Case |
Spars |
DDD |
Sound |
Stereo |
|
|
Index |
#
3692 |
Owner |
Dave |
Tags |
Alternative Rock, Brit Pop, Grunge, Psychedelic Rock, Shoegaze |
|
|
Columbia's 1993 Genrecide collection features songs from the label's alternative, grunge, and hip-hop acts, including Kahn, Daniel Ash, and Depth Charge. Some songs, like Suede's "Metal Mickey" and Alice In Chains' "Right Turn" define the growing grunge and Brit-pop movements in the U.S. and the U.K. at the time; others, such as the Darling Buds' "Long Day in the Universe" and Ned's Atomic Dustbin's "Prostrate," reflect the short-lived but intensely hyped alternative music scene. However, the dream pop/psychedelic fusion on Ultra Vivid Scene's "Blood & Thunder" and on Mercury Rev's "Coney Island Cyclone" remains fresh, as do Fishbone's reworking of Curtis Mayfield's "Freddie's Dead" and Chuck D's cover of Charles Mingus' "Gunslinging Bird." Gumball's "Upsetter's Theme Song" and Silverfish's "Big Bad Baby Pig Squeal" add to the time-capsule nature of Genrecide, recalling a period when major-label funded "alternative" music seemed like a viable proposition. -- Heather Phares (allmusic.com)