Adrian Belew
The Acoustic Adrian Belew
Discipline Global Mobile
DGM 9504
(1993)
Rock/Pop
CD, 11
Tracks, 29:15
Length
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|
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01 |
The Lone Rhinoceros |
Adrian Belew |
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02:37 |
02 |
Peace on Earth |
Adrian Belew |
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|
02:49 |
03 |
The Man In The Moon |
Adrian Belew |
|
|
02:12 |
04 |
The Rail Song |
Adrian Belew |
|
|
03:42 |
05 |
If I Fell |
John Lennon; Paul McCartney |
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|
02:18 |
06 |
Burned By The Fire We Make |
Adrian Belew |
|
|
02:50 |
07 |
Matte Kudasai |
Adrian Belew; Bill Bruford; Robert Fripp; Tony Levin |
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|
02:18 |
08 |
Dream Life |
Adrian Belew |
|
|
02:19 |
09 |
Old Fat Cadillac |
Adrian Belew |
|
|
03:12 |
10 |
Crying |
Joe Melson; Roy Orbison |
|
|
02:39 |
11 |
Martha Adored |
Adrian Belew |
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02:19 |
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Packaging |
Jewel Case |
Spars |
DDD |
Sound |
Stereo |
|
Guitar |
Adrian Belew |
Producer |
Adrian Belew |
Engineer |
Noah Evens |
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Index |
#
235 |
Owner |
Dave |
Tags |
Acoustic |
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Purchased |
New |
Imported from |
England |
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Packaged in a sleeve that (not accidentally) reminds one of the Beatles' White Album, this first released collection of Belew's acoustic renderings is all around a pleasant listen. The classic Adrian Belew songs are great. It is refreshing to hear songs like "The Man in the Moon" and "The Rail Song" with new life breathed into them. Belew's delivery is a little subdued, which at times can have a postured to be included on an acoustic release feel to it at times, but, for the most part, the music sounds fresh and revitalized. He does include a couple treats on this outing. The first of these is a cover of the Beatles "If I Fell," which sounds like a dead-on impersonation of the John and Paul vocal harmonies from the original. Very cool. Also included is a Roy Orbison's "Crying," which is a nice as well. King Crimson's "Matte Kudesai" has some issues here -- the verses are accompanied by a low somewhat seasick two-note guitar riff that at best is not very appropriate for the song. The final number on this collection is a tune called "Martha Adored," which is recording of "Dream Life" played backwards in its entirety. Unexpectedly and astonishingly beautiful. This track alone makes the whole set worthwhile. -- Mark Allender (allmusic.com)