Gin Blossoms
New Miserable Experience

A & M    75021 5403 2  (1992)

Rock/Pop
CD, 12   Tracks, 46:08  Length
01 Lost Horizons Doug Hopkins 03:20
02 Hey Jealousy Doug Hopkins 03:56
03 Mrs. Rita Jesse Valenzuela 04:25
04 Until I Fall Away Jesse Valenzuela; Robin Wilson 03:52
05 Hold Me Down Doug Hopkins; Robin Wilson 04:51
06 Cajun Song Jesse Valenzuela 02:56
07 Hands are Tied Jesse Valenzuela 03:18
08 Found Out About You Doug Hopkins 03:53
09 Allison Road Robin Wilson 03:19
10 29 Jesse Valenzuela 04:19
11 Pieces of the Night Doug Hopkins 04:34
12 Cheatin' Doug Hopkins; Jesse Valenzuela 03:25
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Vocals Robin Wilson
Guitar Jesse Valenzuela
Drums Phillip Rhodes
Bass Bill Leen
Guitar Doug Hopkins
Musician Gin Blossoms
Producer Gin Blossoms; John Hampton
Engineer John Hampton
Personal Details
Index # 1332
Owner Dave
Tags Alternative Rock
User Defined
Purchased New
Notes
The Gin Blossoms were one of the more truly damned rock & roll bands to grace the pop charts in the 1990s. The group was founded and spiritually led by singer-guitarist Doug Hopkins, who also wrote the band's best songs; however, by the time New Miserable Experience marked the band's major-label debut in 1992, Hopkins had been kicked out (his bandmates had apparently tired of dealing with his alcoholism). Hopkins killed himself shortly thereafter, and the band later enjoyed the biggest hit of its career with "'Til I Hear It From You" (which, perversely, never appeared on a Gin Blossoms album, but only on the Empire Records soundtrack -- and was written by outside writer Marshall Crenshaw to boot). The band dropped from sight not long after. Released during the heyday of grunge music, New Miserable Experience remains the best and most representative document of the group's existence, a tight and lean collection of brilliant, edgy pop music that was markedly different from the bulk of 1992's modern rock albums. "Hey Jealousy" and "Until I Fall Away" are the two songs that leave the deepest impression -- and, appropriately, both were successful singles -- but the crunchy, jangled melodicism and lyrical desperation of "Hold Me Down" is similarly notable. Two dilettantish genre pieces -- "Cajun Song" and a country weeper called "Cheatin'" (as in "you can't call it cheatin' 'cause she reminds me of you") -- provide the program's two low points, but even those aren't completely without charm. -- Rick Anderson (allmusic.com)