Biter of Thorpe
BOT 131-01
(1983)
Rock/Pop
CD, 10
Tracks, 35:38
Length
|
|
|
01 |
Bed Caves |
Danielle Dax |
|
|
03:13 |
02 |
Everyone Squeaks Gently |
Danielle Dax |
|
|
03:35 |
03 |
The Wheeled Wagon |
Danielle Dax |
|
|
05:51 |
04 |
The Stone Guest |
Danielle Dax |
|
|
01:59 |
05 |
Here Come The Harvest Buns |
Danielle Dax |
|
|
03:00 |
06 |
The Shamemen |
Danielle Dax |
|
|
03:44 |
07 |
Kernow |
Danielle Dax |
|
|
04:18 |
08 |
Numb Companions |
Danielle Dax |
|
|
03:59 |
09 |
Tower Of Lies |
Danielle Dax |
|
|
02:48 |
10 |
Cutting The Last Sheaf |
Danielle Dax |
|
|
03:11 |
|
Packaging |
Jewel Case |
Spars |
DDD |
Sound |
Stereo |
|
Vocals |
Danielle Dax |
Producer |
Danielle Dax |
Engineer |
Martyn Phillips |
Cover by |
Danielle Dax |
|
Index |
#
856 |
Owner |
Dave |
Tags |
Avantgarde, Experimental, New Wave, Post Punk |
|
Purchased |
New |
Imported from |
England |
|
"Today's not the same as before/Starting with a clean slate/Promises of new rewards." This seems an appropriate beginning to Danielle Dax's first solo record, which comes on the heels of a two-album stint with experimental pop group the Lemon Kittens. Certainly, Dax makes the most of this particular tabula rasa. Self-written, produced, and performed, the idiosyncratic Pop-Eyes truly lives up to its promise. Perhaps most impressive here is the way that Dax puts odd musical bedfellows -- from Middle Eastern percussion to doo wop vocals -- next to each other in combinations that should clash, but instead complement each other nicely. Particularly rewarding are the Arabic-flavored "Bed Caves" and absurd yet eerie "Here Come the Harvest Buns."