Pop Will Eat Itself
The Looks or the Lifestyle

RCA    66096-2  (1992)

Rock/Pop
CD, 13   Tracks, 53:52  Length
01 England's Finest Pop Will Eat Itself 00:45
02 Eat Me Drink Me Love Me Kill Me Pop Will Eat Itself 02:59
03 Mother Pop Will Eat Itself 04:13
04 Ruff Justice Pop Will Eat Itself 05:07
05 I've Always Been a Coward, Baby Pop Will Eat Itself 03:23
06 Token Drug Song Pop Will Eat Itself 04:01
07 Karmadrome Pop Will Eat Itself 04:20
08 Urban Futuristic Pop Will Eat Itself 04:42
09 Pretty Pretty Pop Will Eat Itself 04:07
10 I Was a Teenage Grandad Pop Will Eat Itself 04:01
11 Harry Dean Stanton Pop Will Eat Itself 05:11
12 Bulletproof! Pop Will Eat Itself 05:18
13 Bulletproof! (Extended Adrian Sherwood Mix) Pop Will Eat Itself 05:45
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Vocals Clint Mansell
Vocals Graham Crabb
Guitar Adam Mole
Guitar Richard March
Drums Fuzz Townshend
Musician Pop Will Eat Itself
Producer Boilerhouse
Engineer Noel Rafferty
Personal Details
Index # 2625
Owner Dave
Tags Alternative Rock
User Defined
Purchased New
Notes
Certainly not their best effort, The Looks or the Lifestyle saw RCA pressuring the band to move in a more commercial direction. The Poppies ignored the pressure and moved in a less commercial direction. Displaying an interest in a dancier style that had started to become evident on the previous album, elements of the harsher attack that would characterize Dos Dedos Mis Amigos were apparent in such songs as "Urban Futuristic" and "Eat Me, Drink Me, Love Me, Kill Me." Samples come from diverse influences, including Akira, INXS, and Perry Farrell; this album represents a sort of midway point between PWEI's two landmark albums. Another marker on the album is the addition of live drummer Fuzz Townshend, replacing the band's temperamental drum machine, Dr. Nightmare. After the album's release, RCA dumped PWEI. Ironically enough, "Get the Girl, Kill the Baddies" -- the post-dumping single from the album -- reached number nine on the U.K. charts, the band's highest position to that day. -- Josh Landau (allmusic.com)