Adrian Belew
Desire Of The Rhino King

Island    314-510 518-2  (1991)

Rock/Pop
CD, 21   Tracks, 72:41  Length
01 The Final Rhino Adrian Belew 01:25
02 The Lone Rhinoceros Adrian Belew 03:59
03 Big Electric Cat Adrian Belew 04:52
04 The Momur Adrian Belew 03:48
05 Hot Sun Adrian Belew 01:30
06 The Man In The Moon Adrian Belew 03:47
07 Swingline Adrian Belew 03:29
08 Adidas In Heat Adrian Belew 02:45
09 Fish Head Adrian Belew 04:31
10 The Ideal Woman Adrian Belew 04:08
11 Sexy Rhino Adrian Belew 00:37
12 Twang Bar King Adrian Belew 01:26
13 Paint The Road Adrian Belew; Bill Janssen 03:21
14 She Is Not Dead Adrian Belew 04:42
15 The Rail Song Adrian Belew 05:38
16 Ballet For A Blue Whale Adrian Belew 04:45
17 The Gypsy Zurna Adrian Belew 03:06
18 Joan Miro's Procession Through The Insides Of A Purple Antelope Across A Sea Of Tuna Fish Adrian Belew 03:05
19 Portrait Of Margaret Adrian Belew 03:58
20 Laughing Man Adrian Belew 05:31
21 Guernica Adrian Belew 02:18
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Guitar Adrian Belew
Producer Stan Hertzman; Adrian Belew
Engineer Gary Platt; Rich Denhart
Personal Details
Index # 233
Owner Dave
Tags Experimental, Prog Rock
User Defined
Purchased New
Notes
Desire of the Rhino King is a compilation of songs from Belew's three albums, Lone Rhino, Twang Bar King, and Desire Caught By the Tail. This generous, 20-track album epitomizes Adrian Belew in all his avant garde glory, complete with information about all three albums written by Belew himself. A good feel for his experimental guitar playing, his work with feedback, and his use of tape loops all converge on this album, creating an excellent overview of this talented artist. Belew's guitar work is at its best on "Big Electric Cat" and "Hot Sun." He shows that he can be compassionate on "The Man in the Moon," a song about the death of his father. The first eight tracks from Lone Rhino include abrupt sax playing from Bill Janssen and numerous other effects, adding to the brightness. Tracks nine to 16 are from Twang Bar King and are the leanest part of the album, since Belew seems to go off on a rip-roaring tangent and the looseness causes the tunes to slightly unravel. The last five tracks are taken from Desire Caught By the Tail, and this is where Belew glistens. Inspired by Pablo Picasso, he paints his music on an invisible canvas creating some unique and imaginative sounds. A great cross section of Adrian Belew is experienced on this album, and is digitally remastered as well. -- Mike DeGagne (allmusic.com)