Havana 3 A.M.
Havana 3 A.M.

IRS Records    X2-13069  (1991)

Rock/Pop
CD, 12   Tracks, 45:25  Length
01 Joyride Gary Myrick; Nigel Dixon; Paul Simonon 02:55
02 Blue Motorcycle Eyes Gary Myrick; Nigel Dixon; Paul Simonon 03:52
03 Reach The Rock Gary Myrick; Nigel Dixon; Paul Simonon 04:14
04 Death In The Afternoon Gary Myrick; Nigel Dixon; Paul Simonon 04:19
05 Hole In The Sky Gary Myrick; Nigel Dixon; Paul Simonon 02:46
06 What About Your Future Gary Myrick; Nigel Dixon; Paul Simonon 04:42
07 The Hardest Game Gary Myrick; Nigel Dixon; Paul Simonon 03:48
08 Hey Amigo Gary Myrick; Nigel Dixon; Paul Simonon 04:24
09 Life On The Line Gary Myrick; Nigel Dixon; Paul Simonon 04:03
10 Surf In The City Gary Myrick; Nigel Dixon; Paul Simonon 02:38
11 Blue Gene Vincent Gary Myrick; Nigel Dixon; Paul Simonon 03:27
12 Living In This Town Gary Myrick; Nigel Dixon; Paul Simonon 04:17
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Bass Paul Simonon
Guitar Nigel Dixon
Guitar Gary Myrick
Drums Travis Williams
Musician Havana 3 A.M.
Producer Havana 3 A.M.
Engineer Masahiko Yamazaki
Cover by Mike Laye
Personal Details
Index # 1472
Owner Dave
Tags Alternative Rock, Rockabilly
User Defined
Purchased New
Notes
The self-titled effort by Paul Simonon's band is not much like the Clash, and also not nearly as memorable as the Clash. Actually, Simonon is just one of the team, the material written in collaboration with Gary Myrick and Nigel Dixon, with the lead vocals taken by Dixon. As the title might lead you to believe, they do integrate a good amount of Latin influences, though it's not dominant. The guitars often have a rockabilly twang, and the vocals have a muted sense of anthemic urgency. The Clash influence does become obvious when they get into their occasional, slightly reggae-ish beats. There's a lot going on here in terms of rockabilly, Latin, spaghetti Western, and straightforward new wave rock influences mingling. There isn't much going on as far as interesting songs go, though, which makes it an inconsequential album. -- Richie Unterberger (allmusic.com)