Frank Zappa
Frank Zappa Meets The Mothers Of Prevention

Rykodisc    RCD 10023  (1986)

Rock/Pop
CD, 9   Tracks, 43:46  Length
01 I Don't Even Care Frank Zappa 04:44
02 One Man, One Vote Frank Zappa 02:35
03 Little Beige Sambo Frank Zappa 03:01
04 Aerobics In Bondage Frank Zappa 03:17
05 We`re Turning Again Frank Zappa 04:55
06 Alien Orifice Frank Zappa 04:11
07 Yo Cats Frank Zappa; Tommy Mars 03:34
08 What`s New In Baltimore Frank Zappa 05:25
09 Porn Wars Frank Zappa 12:04
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Guitar Frank Zappa
Bass Scott Thunes
Guitar Ike Willis
Guitar Ray White
Guitar Steve Vai
Keyboards Bobby Martin
Keyboards Tommy Mars
Percussion Ed Mann
Producer Frank Zappa
Engineer Bob Stone
Personal Details
Index # 4026
Owner Dave
Tags Novelty, Avantgarde, Parody
User Defined
Purchased Used
Notes
Frank Zappa Meets the Mothers of Prevention is a transitional album that sees Zappa turning away from rock and putting more time into his Synclavier compositions. This is a year away from the computer-only (minus one live track) Jazz From Hell. So the album presents a handful of computer pieces ("Aerobics in Bondage," "Little Beige Sambo"), one rock song and one rock instrumental ("We're Turning Again" and the complex "Alien Orifice"), and a couple of attempts at pairing real performers with the computer ("Yo Cats," "What's New in Baltimore?"). Most importantly, the U.S. version of Frank Zappa Meets the Mothers of Prevention contained "Porn Wars," a sound collage of excerpts from the PMRC hearings -- the lobby group wanted a law instructing record companies to put warning stickers on offensive albums. The LP's title was inspired by that particular piece (the other tracks don't relate to the subject) and yet the version released in Europe, Japan, and Canada -- which sported inverted black and white on the cover -- did not include "Porn Wars," but three extra tracks (two on Synclavier and one rock song). The 1995 Ryko reissue put all pieces from the two versions on one CD. Apart from the political issues of "Porn Wars," which quickly became dated, the album lacks memorable moments. It is not uninteresting and those allergic to the Synclavier will still prefer it over Jazz From Hell. -- François Couture (allmusic.com)