Love and Rockets
Express

Beggars Banquet    6011-2 B  (1986)

Rock/Pop
CD, 11   Tracks, 59:47  Length
01 Angels And Devils Love and Rockets 06:09
02 It Could Be Sunshine Love and Rockets 04:59
03 Kundalini Express Love and Rockets 05:48
04 All In My Mind Love and Rockets 04:44
05 Life In Laralay Love and Rockets 03:32
06 Ball Of Confusion Barrett Strong; Norman Whitfield 07:22
07 Holiday On The Moon Love and Rockets 06:11
08 Yin And Yang The Flowerpot Man (Remix) Love and Rockets 05:54
09 Love Me Love and Rockets 03:55
10 All In My Mind (Acoustic Version) Love and Rockets 05:07
11 An American Dream Love and Rockets 06:06
Music Details
Product Details
Packaging Jewel Case
Spars DDD
Sound Stereo
Musicians  &  Credits
Guitar Daniel Ash
Bass David J
Drums Kevin Haskins
Musician Love and Rockets
Producer John A. Rivers; Love and Rockets
Cover by Love and Rockets
Personal Details
Index # 2033
Owner Dave
Tags Psychedelic Rock, Indie Rock
User Defined
Purchased New
Notes
Rich in sonic detail, the neo-psychedelic Express offers a listening experience like no other album -- guitars spiral to dizzying heights from beds of sound, arrangements swirl, songs change and mutate. "Kundalini Express" typifies Love and Rockets' approach, chugging along for several verses before breaking open and ascending into the heavens; Anglo-fied Eastern religious imagery and philosophy predominate lyrically, and in tandem with the psychedelic music, offer an almost quasi-religious experience. John A. Rivers (who also co-produced Love and Rockets' first album) outdoes himself with the sound on this disc, offering a huge, unique canvas for the band to paint its sound on: crystalline acoustic guitars cut through thick, distorted tones, and the bass is an equal player to the guitars and drums. "Yin and Yang the Flower Pot Man" is ecstatically upbeat, offering a propulsive rhythm, flailing guitars, and insistent bass -- a compulsively danceable and bliss-inducing track. "An American Dream," meanwhile, is an anthem of sorts, with distinct sections setting apart the moods of hope, disillusionment, and acceptance. -- Jonathan Ball (allmusic.com)