Mick Fleetwood
The Visitor

RCA    AFL1-4080  (1981)
Recording Date   February 1981

Rock/Pop
LP, 10   Tracks, 37:57  Length
01 Rattlesnake Shake Peter Green 03:49
02 You Weren't In Love Bill Fields 03:55
03 O' Niamali Nii Amartey 02:47
04 Super Brains A.B. Crentsil 04:07
05 Don't Be Sorry, Just Be Happy Todd Sharp 04:24
06 Walk A Thin Line Lindsey Buckingham 03:19
07 Not Fade Away Charles Hardin; Norman Petty 02:22
08 Cassiopeia Surrender George Hawkins 04:34
09 The Visitor C. K. Ganyo 04:05
10 Amelle (Come on show me your heart) Nii Amartey 04:35
Music Details
Product Details
City, State/Country Accra, Ghana
Packaging Gatefold
Sound Stereo
Musicians  &  Credits
Drums Mick Fleetwood
Guitar Ian Bairnson
Bass George Hawkins
Guitar Todd Sharp
Vocals Ebaali Gbiko
Musician Adjo Group
Musician Superbrains
Producer Richard Dashut; Mick Fleetwood
Engineer Richard Dashut; Bill Youdelman
Personal Details
Index # 1163
Package/Sleeve Condition Excellent
Media Condition Excellent
Owner Dave
Tags Blues Rock
User Defined
Purchased Cut-out/Promo
Notes
Recorded in Ghana in 1981, Mick Fleetwood's solo debut reveals more diversity and depth of feeling than any of Fleetwood Mac's multi-platinum monsters. Six of the tracks are not overt attempts at worldbeat, instead using a variety of West African musicians as sidemen, sidewomen, and, in the case of drum ensemble Ebaali Gbiko, sidechildren. Of these six tracks, several stand out. "Walk a Thin Line," written by Fleetwood Mac guitarist Lindsey Buckingham, is an infectious pop song blending Adjo Group's enchanting backing vocals with guest George Harrison's lush 12-string and slide guitars. Another Fleetwood Mac veteran, Peter Greenbaum (aka Peter Green), accompanies a multinational percussion section for a remake of his "Rattlesnake Shake," originally found on Then Play On. Even the Buddy Holly classic "Not Fade Away" gets supercharged with a percussion ensemble made up of Fleetwood on drums and Lord Tiki and Adjo Group on hand drums and percussion. The West African tracks that make up the remainder of the album are pure pleasure. "Super Brains" is a funk instrumental with a groove James Brown would be proud of; "The Visitor" features a synthesizer soaring above and growling beneath the Ghana Folkloric Group's vocals and polyrhythmic percussion; and "Amelle" is a lovely finale that again showcases Adjo Group's vocals. An underrated gem, The Visitor rewards repeated listening and deserves a wider audience. -- Michael Waynick (allmusic.com)